Had he come to realise that, so far as they were concerned, he might goon writing operas until the crack of doom, without affecting them in theleast? His genius was eclectic. He could write Italian music to delightthe Italians, German music to satisfy the Germans, and now, was hedetermined to reach the soul of the people, rather than continue tocater for the amusement of a comparatively few wealthy dwellers in themetropolis? Who can tell?
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